Shakespeares And Moss Poem Analysis - 1283 Words

In both Shakespeares and Moss’ version of the sonne† Shall I Compare Thee to a Summer’s Day?† contain some similarities and differences within each poem. The obvious similarity is that both of theses poems have the same title and the same idea being shown. Even though there are a many similarities, I will be focusing on the differences in both of these poems throughout this essay. In both poems, the use of diction is very different between Shakespeare and Moss. In Moss’ Poem, he uses very simple language we use today which is easier to understand and straightforward whereas Shakespeare uses a more complex and older language. For example, Shakespeare in his poem uses words like â€Å"thee’ â€Å"art† and â€Å"thou†. Both of these poems were written at†¦show more content†¦He is describing heaven as a person by saying it has an eye and calling it a â€Å"he†. Throughout the poem he goes on to say in lines five to nine about how his lover’s beauty has an effect on him. Sometime too hot the eye of heaven shines,/And often is his gold complexion dimmed;/And every fair from fair sometime declines,/By chance, or nature’s changing course, untrimmed;/But thy eternal summer shall not fade†(5-9). His face turns pale and his legs cant move. He is captivated by her which makes him frozen. In the second verse he is saying that all the blood that is rushing to his face took away his sight. This indicates that he is blushing when he sees her. His point is that he is blinded by love. In Moss’ parody poem, this figurative language is not seen at all. An example of imagery used in Shakespeare’s Sonnet is shown in the third line of the poem where he talks about â€Å"Rough Winds† which is referring to strong winds. Different to Shakespeare, Moss’ poem lack the use of imagery. The use of imagery in Shakespeares poem makes his more complex whereas Moss’ poem basically explains the meaning of the poem by avoiding the use of imagery. As I explained before, Howard Moss’ poem is like a modern version of Shakespeare’s. The main difference with the original version and the parody version is that Shakespeare’s sonnet is about love, death and the elapse of time,Show MoreRelatedwisdom,humor and faith19596 Words   |  79 Pages WISDOM, HUMOR, AND FAITH: A HISTORICAL VIEW Walter G. Moss Table of Contents (with links) Walter G. Moss 1 Table of Contents (with links) 1 Wisdom, Perspective, and Values 2 Humor’s Contribution to Wisdom 4 Humor and Wisdom in Europe: Some Highlights 5 Renaissance Humor: Erasmus, Rabelais, Cervantes, Shakespeare 5 Two European Russians: Anton Chekhov and Vladimir Soloviev 9 Reflections on Humor from Nietzsche to the Theatre of the Absurd 12 Humor and Wisdom in the United States: Lincoln, BeecherRead MoreEnglish Proverbs and Sayings8785 Words   |  36 Pagesequivalents to English proverbs and sayings Our hypothesis is that English proverbs and sayings can be widely used in teaching different aspects of the language. In this work we used different research methods, such as scientific cognition methods (analysis and synthesis), empirical methods (comparison). We think that the information acquired during the research is useful for learning and understanding the essence of proverbs and sayings and their role in communication; it develops language competenceRead MoreOrganisational Theory230255 Words   |  922 Pagestheory focuses attention on the human issues in organization ‘There is nothing so practical as a good theory’ How Roethlisberger developed a ‘practical’ organization theory Column 1: The core contributing social sciences Column 2: The techniques for analysis Column 3: The neo-modernist perspective Column 4: Contributions to business and management Four combinations of science, scientific technique and the neo-modernist approach reach different parts of the organization Level 1: Developing the organization

Illegal Immigrants Help Out - 1442 Words

Illegal Immigrants help out â€Å"The United States has been built primarily by immigrants, most seeking a better life for themselves and their families though some type of industrious behavior† (Sanders 58). When many people think of illegal immigrants, they think of those people that are only here to steal Americans’ jobs. They do not think about the struggle that illegal immigrants go through to get to this country and stay in the country as well. Being illegal in this country closes many doors, but there are a few that remain open. It is hard to know what they exactly go through if no one has ever walked their path. They are here for a reason, to find something better for themselves and their families. Undocumented immigrants do not come to the United States to purposely steal other people’s jobs, they come here for a better living and not the social services that they could receive (Marietta 61). These people are not seeking to actually be helped but if help is offered they will take it. Undocumented immigrants leave their homes because they want to live the American dream. If they come to America and have a better job with a decent salary then their lives will improve. It will be easier for them to support their families. Although many people believe illegal immigrants are only in the U.S to take away Americans’ jobs, they should receive social services because they are a part of our community, need help establishing a better life and contribute to our workforce.Show MoreRelatedIllegal Immigration Is The Entry Of Non Us909 Words   |  4 Pages â€Å"Illegal immigration is the entry of non-U.S. citizens into the United States without their having applied for entry at one of the many border crossings† (Illegal Immigration 9). There are numerous ways that illegal immigrants travel into the United States. The most common forms of entry are through Canada and Mexico. 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Just as today many Americans view illegal immigrants, people who come into a country illegallyRead MoreShould Amnesty Be Illegal Immigrants?855 Words   |  4 Pages I believe granting amnesty to immigrants can bri ng happiness in both the country and immigrants. For those who do not know what amnesty is, it is an official pardon for people who have been convicted of political offenses. My topic is about granting amnesty to immigrants in any country and to let them have every right a legal citizen has. I will be covering mostly on the immigrants who are currently living in the United States. Having illegal immigrants â€Å"Can help with the country s economy†, â€Å"BringRead MoreEssay on Why should the U.S have border patrol?1611 Words   |  7 PagesPatrol: Why should the U.S have border patrol? 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They have gradually increased over time since the 1800’s. Illegal immigrants can come from all parts of the world, but most them come from spanish speaking countries (South and Central America). Most Americans believe illegal immigrants are a problem to the U.S.. Also, Illegal immigrants are believed to be bringing crime, butRead MoreU.s. Diplomats Work With Other Agencies And Countries1207 Words   |  5 Pagesmultilateral institutions to help improve the lives of people everywhere (â€Å"How does the US department of State engage with other Countries?†). The United States reaches out to other countries as well, even if they cannot let a certain number of immigrants into the country. Providing particular countries with helpful organizations from the United States, is an influential way to start preventing illegal immigration. If the United States flourish well there should not be an excuse to not help provide for people

Graffiti Art or Vandalism free essay sample

Vandalism? Most people can argue that there is a fine distinction between what is recognized as art and vandalism. The individual is often faced with uncertainty when the topic of graffiti arises. The public often portray graffiti as a destructive act towards his or her surroundings however; graffiti can also be considered a form of self-expression. Many questions can be made pertaining to the graffiti movement, but the main question is graffiti a crime or an art? The answers lie in the complex phrase of â€Å"beauty is in the eye of the beholder†. Graffiti portrays contemporary sub-cultured art through its versatility and bold attractiveness on the communal grounds. In the 1970s, graffiti was blatantly acknowledged as territorial graffiti where graffitists would â€Å"tag† their anonym upon various areas to obtain great recognition from other graffitists. The graffiti era began with the simple use of characterized letterings which sooner evolved to creatively embellishing large murals. Its daring and unique presentation captured the attention of the competition so as the audience expanded, so did graffiti. It has progressed from a competitive activity for street credibility to an expressive form of street art. The mastery of graffiti has become a part of subculture with its raw and defiant nature presented within the streets and the media that its legitimacy as a form of art is starting to finally be recognized by the public. First off, what is street art? Street art is considered as any art that is publicized in the â€Å"streets† oppose to territorial graffiti meant to display a message. The following states, â€Å"It represents the desire of humans to leave traces of their existence in the public sphere. †(Chung 25) . It was the works of early artists such as Jenny Holzer and Richard Hambleton in the mid-1970s, and later Jean-Michel Basquiat and Keith Haring in the 1980s, who have conspired with the street art movement. However, â€Å"today, the line that distinguishes street art from graffiti writing is blurred, with many artists producing works in both genres during their careers.† (252) Street artist Banksy is the prominent figure of incorporating both street art and traditional graffiti through his unauthorized wall-art, setting the foundation of a â€Å"new generation of street artists. † (252) Although Banksy manages to stick to the roots of â€Å"tagging† by keeping his alias discrete, he continues to manifest this movement of contemporary publicized artwork through his infamous stenciling, politically inspired wall pieces. (253) à ¢â‚¬Å"In contrast to government-commissioned public art, street art is illicit and subversive in nature. Therefore, most street artists, including Banksy, use pseudonyms to avoid legal prosecution for vandalism. †(Chung 27) Banksy’s street art does not focus on competing with rival artists, but focuses on engaging with a broader audience in a deeper level. He provokes his audience by deeply expressing out various social practices that helps viewers to reflect and confront certain aspects together as a community. (27) The underlying message of Banksy’s art can lead towards an active involvement of street art within the community. â€Å"Street art is omnipresent in urban streets and is a rish source of inspiration for artistic creativity. . . It possesses the aesthetic voices of the ordinary and enables resistance for the marginalized. Banksy’s street art, in particular, can guide students to think about various social and political issues and to reflect upon the immediate, if not unjust, world in which they live, to transform that world, and to possibly initiate change. † (Chung 32) The excitement that surrounds street art continues to escalate through medial factors, which have given the opportunity for the street art movement to gain the proper recognition and distinction from criminality. The 2010 Oscar-nominated documentary film Exit Through the Gift Shop portrayed the vitality of street art subculture featuring the works of LA-based street artist Shepard Fairey, who is well known for his â€Å"Obey† campaigns. (253) The attributing collective pieces of artist Invader in the Space Invaders video game have also given that attention of street art towards the public eye. The movement of street art and graffiti has not only gained acknowledgment through film, but also through a formalized setting such as museum exhibits. The Museum of Contemporary Art showcased one of the first street art exhibits, â€Å"Art in the Streets† in Los Angeles in 2011, which changed the history of the museum attracting more eyes in the public. (Mettler 253) The movement of street art has now evolved into a dignified way of expressing an artist’s purpose through the media that has embraced the rawness and uniqueness of this art form. Before graffiti was recognized as a form of art, it was familiarized as territorial graffiti or vandalism by an individual graffitist or â€Å"tagger† to gain recognition from other graffitists. Graffitist’s motives were highly driven by the idea â€Å"of being ‘king’ of a subway line† (137) and the respectable street credit that came along with the title. It was not about the creative aspects involved in the piece or simply talent, but the quantity and location. (Powers 137) You wouldn’t call yourself a graffitist if your tag name was not displayed throughout the gritty boroughs of the city. As the game became more competitive, so did the pieces. The pieces became more innovative and more intricate, focusing on both factors of quantity and quality while still achieving the ultimate goal of being â€Å"king. †(138) . The art work consist of simple tags, throw ups and pieces. ( Riebe, Bernd. Graffiti Art or Vandalism? † http://www. obsidian. bild-art. de/) Tagging is the most general type of graffiti as the letterings are created contrastingly with its background to make this form of simplicity stand out. Writers often tag to â€Å"sign† up on various territorial grounds which are easily recognized. The primary motivation for graffitists to continue their work is fame, which is mostly achieved by painting pieces. This form of graffiti allows graffitists to flaunt their artistic abilities through a more stylistic expression that will bring the writer respect. Aside from being gaining respect from the public and other artist, they still strive to compete with rival writers. Throw-ups or â€Å"throwies† lie in between a tag and a piece as its complexity is designed to quickly execute a graffitist anonym. Graffitists have their own signature tags and pieces for others to identify their intricate style. Heightening up the game, graffitists would recruit amateurs, or â€Å"toys†, to help spread the word throughout district communities to be known outside their region. It was one thing to be acknowledged in your own community, but to be recognized throughout various domains brought the graffiti game to a whole other level. By this way, graffitists formed alliances and new communities expanding beyond their own geographical areas which eventually began to capture the attention of the people. From then on, graffiti became a mainstream movement within local neighborhoods that soon enough became a lifestyle exposed through the media as a part of the hip-hop subculture. â€Å"Of all elements of the NYC hip hop subculture, graffiti received the most media attention†¦ Subway graffiti was then propagated by the music industry through rap music, break dancing and graffiti-styled album covers. Norman Mailer’s The Faith of Graffiti romanticized the youths as heroic young men creating art by beating the system. In the early eighties, movies such as Beat Street, Flash Dance and Wild Style spread the image of urban hip hop culture nation wide. † (Powers 139) Graffiti was a movement believed to progress into a form of art from the streets. Through such raw talent, it arose from a reputable competition between graffitists to becoming a widespread phenomenon acknowledged by the public. Since its extensive publicity on subways carts and communal walls in the 70s, the mainstream movement of graffiti as street art has become increasingly popular in the contemporary arts and sub-culture. Its raw nature has continued to consistently raise eyebrows and expose several unique and intrinsic styles that has set a new high uncovered within the world of the arts. Individuals have strayed from labeling graffiti as vandalism due to its confrontation of different social issues that have us questioning what we do and what we should do. From an act of rivalry for street credibility to an expressive form of individuality for a soul purpose, the graffiti movement continuously impacts communities through the media which has given its proper recognition as street art.